Thursday, February 6, 2020

Moby Dick






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                                            Moby-Dick; or, The Whale is an 1851 novel by American writer Herman Melville. The book is sailor Ishmael's narrative of the obsessive quest of Ahab, captain of the whaling ship Pequod, for revenge on Moby Dick, the giant white sperm whale that on the ship's previous voyage bit off Ahab's leg at the knee. Wikipedia.


Herman Melville 



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                                              Herman Melville was an American novelist, short story writer and poet of the American Renaissance period. Among his best-known works are his magnum opus, Moby-Dick, and Typee, a romantic account of his experiences of Polynesian life. Melville was born in New York City, the third child of a merchant. Wikipedia.

  • Moby Dick Summary

                                            The novel Moby Dick by Herman Melville is an epic tale of the voyage of the whaling ship the Pequod and its captain, Ahab, who relentlessly pursues the great Sperm Whale (the title character) during a journey around the world. The narrator of the novel is Ishmael, a sailor on the Pequod who undertakes the journey out of his affection for the sea.

                                             Moby Dick begins with Ishmael's arrival in New Bedford as he travels toward Nantucket. He rests at the Spouter Inn in New Bedford, where he meets Queequeg, a harpooner from New Zealand who will also sail on the Pequod. Although Queequeg appears dangerous, he and Ishmael must share a bed together and the narrator quickly grows fond of the somewhat uncivilized harpooner. Queequeg is actually the son of a High Chief who left New Zealand because of his desire to learn among Christians. The next day, Ishmael attends a church service and listens to a sermon by Father Mapple, a renowned preacher who delivers a sermon considering Jonah and the whale that concludes that the tale is a lesson to preacher Truth in the face of Falsehood.

                                           On a schooner to Nantucket, Ishmael and Queequeg come across a local bumpkin who mocks Queequeg. However, when this bumpkin is swept overboard, Queequeg saves him. In Nantucket, Queequeg and Ishmael choose between three ships for a year journey, and decide upon the Pequod. The Captain of the Pequod, Peleg, is now retired, and merely owns the boat with another Quaker, Bildad. Peleg tells them of the new captain, Ahab, and immediately describes him as a grand and ungodly man. Before leaving for their voyage, Ishmael and Queequeg come across a stranger named Elijah who predicts disaster on their journey. Before leaving on the Pequod, Elijah again predicts disaster.



                                     Ishmael and Queequeg board the Pequod, where Captain Ahab is still unseen, secluded in his own cabin. Peleg and Bildad consult with Starbuck, the first mate. He is a Quaker and a Nantucket native who is quite practical. The second mate is Stubb, a Cape Cod native with a more jovial and carefree attitude. The third is Flask, a Martha's Vineyard native with a pugnacious attitude. Melville introduces the rest of the crew, including the Indian harpooner Tashtego, the African harpooner Daggoo.

                                  Several days into the voyage, Ahab finally appears as a man seemingly made of bronze who stands on an ivory leg fashioned from whalebone. He eventually gets into a violent argument with Stubb when the second mate makes a joke at Ahab's expense, and kicks him. This leads Stubb to dream of kicking Ahab's ivory leg off, but Flask claims that the kick from Ahab is a sign of honor.

                               At last, Ahab tells the crew of the Pequod to look for a white-headed whale with a wrinkled brow: Moby Dick, the legendary whale that took Ahab's leg. Starbuck tells Ahab that his obsession with Moby Dick is madness, but Ahab claims that all things are masks and there is some unknown reasoning behind that mask that man must strike through. For Ahab, Moby Dick is that mask. Ahab himself seems to recognize his own madness. Starbuck begins to worry that the ship is overmatched by the mad captain and knows that he will see an impious end to Ahab.

                            While Queequeg and Ishmael weave a sword-mat for lashing to their boat, the Pequod soon comes upon a whale and Ahab orders his crew to their boats. Ahab orders his special crew, which Ishmael compares to "phantoms," to their boats. The crew attacks a whale and Queequeg does strike it, but this is insufficient to kill it. Among the "phantoms" in the boat is Fedallah, a sinister Parsee.

                                 After passing the Cape of Good Hope, the Pequod comes across the Goney (Albatross), another ship on its voyage. Ahab asks whether they have seen Moby Dick as the ships pass one another, but Ahab cannot hear his answer. The mere passing of the ships is unorthodox behavior, for ships will generally have a 'gam,' a meeting between two ships. The Pequod does have a gam with the next ship it encounters, the Town-Ho.

                                      Ishmael interrupts his narration to tell a story that was told to him by the crew of the Town-Ho, just as he would tell it to a circle of Spanish friends after his journey on the Pequod. The story concerns the near mutiny on the Town-Ho and its eventual conflict with Moby Dick.


                                   The Pequod does vanquish the next whale that it comes across, as Stubb strikes a whale with his harpoon. However, as the crew of the Pequod attempts to bring the whale into the ship, sharks attack the carcass and Queequeg nearly loses his hand while fending them off.

                            The Pequod next comes upon the Jeroboam, a Nantucket ship afflicted with an epidemic. Stubb later tells a story about the Jeroboam and a mutiny that occurred on this ship because of a Shaker prophet, Gabriel, on board. The captain of the Jeroboam, Mayhew, warns Ahab about Moby Dick.

                                After vanquishing a Sperm Whale, Stubb next also kills a Right Whale. Although this is not on the ship's agenda, the Pequod pursues a Right Whale because of the good omens associated with having the head of a Sperm Whale and a head of a Right Whale on a ship. Stubb and Flask discuss rumors that Ahab has sold his soul to Fedallah.

                               The next ship that the Pequod meets is the Jungfrau (Virgin), a German ship in desperate need of oil. The Pequod competes with the Virgin for a large whale, and the Pequod is successful in defeating it. However, the whale carcass begins to sink as the Pequod attempts to secure it and thus the Pequod must abandon it. The Pequod next finds a large group of Sperm Whales and injures several of them, but only captures a single one.

                                Stubb concocts a plan to swindle the next ship that the Pequod meets, the French ship Bouton-de-Rose (Rosebud), of ambergris. Stubb tells them that the whales that they have vanquished are useless and could damage their ship, and when the Rosebud leaves these behind the Pequod takes them in order to gain the ambergris in one of them.

                            Several days after encountering the Rosebud, a young black man on the boat, Pippin, becomes frightened while lowering after a whale and jumps from the boat, becoming entangled in the whale line. Stubb chastises him for his cowardice and tells him that he will be left at sea if he jumps again. When Pippin (Pip) does the same thing again, Stubb remains true to his word and Pip only survives because a nearby boat saves him. Nevertheless, Pip loses his sanity from the event.

                                      The next ship that the Pequod encounters, a British ship called the Samuel Enderby, bears news of Moby Dick but its crewman Dr. Bunger warns Ahab to leave the whale alone. Later, Ahab's leg breaks and the carpenter must fix it. Ahab behaves scornfully toward the carpenter. When Starbuck learns that the casks have sprung a leak, he goes to Ahab's cabin to report the news. Ahab disagrees with Starbuck's advice on the matter, and becomes so enraged that he pulls a musket on Starbuck. Although Ahab warns Starbuck that there is but one God on Earth and one Captain on the Pequod, Starbuck tells him that he will be no danger to Ahab, for Ahab is sufficient danger to himself. Ahab does relent to Starbuck's advice.

                                 Queequeg becomes ill from fever and seems to approach death, so he asks for a canoe to serve as a coffin. The carpenter measures Queequeg for his coffin and builds it, but Queequeg returns to health, claiming that he willed his own recovery. Queequeg keeps the coffin and uses it as a sea chest.

                                  Upon reaching the Pacific Ocean, Ahab asks Perth the blacksmith to forge a harpoon to use against Moby Dick. Perth fashions a harpoon that Ahab demands be tempered with the blood of his pagan harpooners, and he howls out that he baptizes the harpoon in the name of the devil.

                       The next ship that the Pequod meets is the Bachelor, a Nantucket ship whose captain denies the existence of Moby Dick. The next day, the Pequod slays four whales, and that night Ahab dreams of hearses. He and Fedallah pledge to slay Moby Dick and survive the conflict, and Ahab boasts of his own immortality.

                       Ahab must soon decide between an easy route past the Cape of Good Hope back to Nantucket and a difficult route in pursuit of Moby Dick. Ahab easily chooses to continue his quest. The Pequod soon comes upon a typhoon on its journey in the Pacific, and while battling this storm the Pequod's compass moves out of alignment. When Starbuck learns this and goes to Ahab's cabin to tell him, he finds the old man asleep. Starbuck considers shooting Ahab with his musket, but he cannot move himself to shoot his captain after he hears Ahab cry in his sleep "Moby Dick, I clutch thy heart at last."

                               The next morning after the typhoon, Ahab corrects the problem with the compass despite the skepticism of his crew and the ship continues on its journey. Ahab learns that Pip has gone insane and offers his cabin to the poor boy. The Pequod comes upon yet another ship, the Rachel, whose captain, Gardiner, knows Ahab. He requests the Pequod's help in searching for Gardiner's son, who may be lost at sea, but Ahab flatly refuses when he learns that Moby Dick is nearby. The final ship that the Pequod meets is the Delight, a ship that has recently come upon Moby Dick and has nearly been destroyed by its encounter with the whale. Before finally finding Moby Dick, Ahab reminisces about the day nearly forty years before in which he struck his first whale, and laments the solitude of his years out on the sea. He admits that he has chased his prey as more of a demon than a man.

                      The struggle against Moby Dick lasts three days. On the first day, Ahab spies the whale himself, and the whaling boats row after it. Moby Dick attacks Ahab's boat, causing it to sink, but Ahab survives the ordeal when he reaches Stubb's boat. Despite this first failed attempt at defeating the whale, Ahab pursues him for a second day. On the second day of the chase, roughly the same defeat occurs. This time Moby Dick breaks Ahab's ivory leg, while Fedallah dies when he becomes entangled in the harpoon line and is drowned. After this second attack, Starbuck chastises Ahab, telling him that his pursuit is impious and blasphemous. Ahab declares that the chase against Moby Dick is immutably decreed, and pursues it for a third day.

                       On the third day of the attack against Moby Dick, Starbuck panics for ceding to Ahab's demands, while Ahab tells Starbuck that "some ships sail from their ports and ever afterwards are missing," seemingly admitting the futility of his mission. When Ahab and his crew reach Moby Dick, Ahab finally stabs the whale with his harpoon but the whale again tips Ahab's boat. However, the whale rams the Pequod and causes it to begin sinking. In a seemingly suicidal act, Ahab throws his harpoon at Moby Dick but becomes entangled in the line and goes down with it. Only Ishmael survives this attack, for he was fortunate to be on a whaling boat instead of on the Pequod. Eventually he is rescued by the Rachel as its captain continues his search for his missing son, only to find a different orphan.

  • Critical Analysis

                            “Moby Dick is biographic of Melville in the sense that it discloses every nook and cranny of his imagination.” (Humford 41) This paper is a psychological study of Moby Dick. Moby Dick was written out of Melville’s person experiences. Moby Dick is a story of the adventures a person named Ishmael. Ishmael is a lonely, alienated individual who wants to see the “watery part of the world.” Moby Dick begins with the main character, Ishmael, introducing himself with the line “Call Me Ishmael.” (Melville 1)

                               Ishmael tells the reader about his background and creates a depressed mood for the reader. Call me Ishmael. “Some years ago-nevermind how long precisely- having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world.” (Melville 1) Ishmael tells the reader about his journeys through various towns such as New Bedford, Nankantuket. Eventually while in Nankantuket, Ishmael signed up for a whaling voyage on the Pequod. The Pequod was the whaling boat Ishmael sailed on where such characters as Queequeq, Starbuck, and the captain of the ship, Ahab, all journeyed together. Not long once at sea, the captain of the ship, Ahab reveals his plan to hunt down a white whale named Moby Dick. Ahab was veteran sailor, a man that had a heart of stone. Ahab had a personal grudge against Moby Dick. Moby Dick was responsible for taking off Ahab’s leg in a previous voyage. Ahab’s plan was essentially an unauthorized takeover, what the whaling company had not in mind. Ahab was very irrational and ludicrous; his plan seals the fate for himself and the crew of the Pequod. In the tragic ending of Moby Dick, all of the characters die except for Ishmael. Ishmael survived Moby Dick’s attack of the ship with the help of a coffin that his close friend Queequeq built. Ishmael of Moby Dick was a special character because he closely relates to the author’s own life. There are many symbolism’s between Ishmael of Moby Dick and Herman Melville’s own life. The name Ishmael can be traced back to the Bible. The Biblical story of Ishamel is one of a rejected outcast. This “rejected outcast” can be linked to Ishmael of Moby Dick and Herman Melville’s own life. In Herman Melville’s Moby Dick, Ishmael is symbolic of the author’s own life. Herman Melville’s childhood played an important part in his life. Herman Melville’s childhood is evident throughout his writings. Herman Melville’s childhood was an unconventional one. There were many twists and turns that Herman experienced. Melville was born on August 1, 1819, in New York City, the third of eight children. His mother’s families the Gansevoorts of Albany were Dutch brewers who settled in Albany in the seventeenth century achieving the status of landed gentry.

                             “The Gansevoorts were solid, stable, eminent, prosperous people; the (Herman’s Father’s side) Melvilles were somewhat less successful materially, possessng an unpredictable. erratic, mercurial strain.” (Edinger 6) This difference between the Melville’s and Gansevoorts was the beginning of the trouble for the Melville family. Herman’s mother tried to work her way up the social ladder by moving into bigger and better homes. While borrowing money from the bank, her husband was spending more than he was earning. “It is my conclusion that Maria Melville never committed herself emotionally to her husband, but remained primarily attached to the well off Gansevoort family.” (Humford 23) Allan Melville was also attached financially to the Gansevoorts for support. There is a lot of evidence concerning Melville’s relation to his mother Maria Melville. “Apparently the older son Gansevoort who carried the mother’s maiden name was distinctly her favorite.” (Edinger 7) This was a sense of alienation the Herman Melville felt from his mother. This was one of the first symbolists to the Biblical Ishamel. The following are a few excerpts from some of Melville’s works that show evidence of his childhood. A passage from Melville’s Redburn shows that Melville was attached to his mother, “The name of the mother was the centre of all my hearts finest feelings.” (Melville 33) The following poem that Melville wrote shows his unreciprocated love for his mother. I made the junior feel his place Subserve the senior, love him too; And soothe he does, and that is his saving grace But me the meek one never can serve, Hot he, he lacks quality keen, To make the mother through the soon, An envied dame of power a social queen. (Melville 211) Herman’s father’s side originally Scots with connections in the peerage, were Boston merchants.




Far from the Madding Crowd by Thomas Hardy


Thomas Hardy


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Thomas Hardy OM was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. Wikipedia





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Far from the Madding Crowd is Thomas Hardy's fourth novel and his first major literary success. It originally appeared anonymously as a monthly serial in Cornhill Magazine, where it gained a wide readership. The novel is the first to be set in Thomas Hardy's Wessex in rural southwest England. Wikipedia

Summary

At the beginning of the novel, Bathsheba Everdene is a beautiful young woman without a fortune. She meets Gabriel Oak, a young farmer, and saves his life one evening. He asks her to marry him, but she refuses because she does not love him. Upon inheriting her uncle's prosperous farm she moves away to the town of Weatherbury.

A disaster befalls Gabriel's farm and he loses his sheep; he is forced to give up farming. He goes looking for work, and in his travels finds himself in Weatherbury. After rescuing a local farm from fire he asks the mistress if she needs a shepherd. It is Bathsheba, and she hires him. As Bathsheba learns to manage her farm she becomes acquainted with her neighbor, Mr. Boldwood, and on a whim sends him a valentine with the words "Marry me." Boldwood becomes obsessed with her and becomes her second suitor. Rich and handsome, he has been sought after by many women. Bathsheba refuses him because she does not love him, but she then agrees to reconsider her decision.


That very night, Bathsheba meets a handsome soldier, Sergeant Troy. Unbeknownst to Bathsheba, he has recently impregnated a local girl, Fanny Robin, and almost married her. Troy falls in love with Bathsheba, enraging Boldwood. Bathsheba travels to Bath to warn Troy of Boldwood's anger, and while she is there, Troy convinces her to marry him. Gabriel has remained her friend throughout and does not approve of the marriage. A few weeks after his marriage to Bathsheba, Troy sees Fanny, poor and sick; she later dies giving birth to her child. Bathsheba discovers that Troy is the father. Grief-stricken at Fanny's death and riddled with shame, Troy runs away and is thought to have drowned.

With Troy supposedly dead, Boldwood becomes more and more emphatic about Bathsheba marrying him. Troy sees Bathsheba at a fair and decides to return to her. Boldwood holds a Christmas, to which he invites Bathsheba and again proposes marriage; just after she has agreed, Troy arrives to claim her. Bathsheba screams, and Boldwood shoots Troy dead. He is sentenced to life in prison. A few months later, Bathsheba marries Gabriel, now a prosperous bailiff.


Far from the Madding Crowd Themes

Love

Love is a major theme of the novel; in fact, the plot revolves around Bathsheba trying to understand what love truly is, and what type of man is worthy of giving her love to. Each of her suitors represents a different kind of love. Boldwood offers a love that is intense, obsessive, and functions like a form of ownership; he tries to buy her love with luxurious goods and promises of sharing in his prosperity. Troy offers her a passionate, sexually charged love that is very pleasurable in the short term but quickly fades away, and is not substantiated with long-term devotion or compatibility. It is Gabriel who offers her a quiet, unassuming, but steadfast and reliable love that will endure through problems and challenges. As Bathsheba matures, she comes to realize what real love is, and that Gabriel is the best partner for her.

Independence

Bathsheba is determined to assert her independence; she knows that many people assume that because she is a woman, she needs to get married and have a husband to help her with the farm. Bathsheba rejects the idea of marrying out of social convention; when Gabriel first proposes, she makes it clear that she only wants to marry for love. Through hard work and intelligence, she is fairly successful at proving that she can successfully manage her own farm as an independent woman. However, Bathsheba’s ideal of independence is a bit of an illusion, since while she thinks she is taking care of everything, she is actually dependent on Gabriel’s help the entire time. If he had abandoned her or refused to help her during crises like the sheep getting poisoned or the storm breaking out on the night of the harvest supper, she could have been ruined.

Deceit

Deceit is an important theme since various characters create unfortunate situations through a lack of honesty. Bathsheba unleashes a long and tragic series of events through the simple and playful deception of sending Boldwood a valentine and misleading him about her feelings. Later, Troy repeatedly tricks and deceives characters around him, especially Bathsheba. He does not reveal the nature of his relationship with Fanny, and when he returns from America, he disguises his identity at the fair. The scale of deceit ranges from relatively harmless to very serious, and yet it always has negative consequences, showing that honesty and integrity are the ways to lead a happy life.


Reliability

The character who best exemplifies the theme of reliability is Gabriel. Whenever something goes wrong, he can be counted on to help out, and even though Bathsheba sometimes takes him for granted and mistreats him, he stands by her. Gabriel’s reliability is rewarded by the end of the novel in both his personal and professional life. His good reputation for his dedicated service to the Everdene farm allows him to lease Boldwood’s farm and hope for bright prospects as a farmer. Bathsheba realizes the value of his devoted love and agrees to marry him. However, Gabriel’s reliability is valuable because he is humble and giving. In contrast, Boldwood is also very consistent in his devoted love for Bathsheba, but he is demanding and insistent on trying to possess her, rather than being content to love and serve her faithfully even if she never returns his feelings.

Fate

While the novel explores the moral choices faced by various characters and the consequences of those choices, it is clear that not everything is under the control of individuals. Many of the characters seem to be ruled by fate and unable to escape from certain experiences or events. Even though Gabriel has made all the right decisions to advance his career at the start of the novel, he loses everything through a single ill-fated event. Bathsheba also experiences reversals of fate, as she goes from being financially destitute to being a wealthy heiress. Various chance encounters also bring the characters together, such as the accidental meetings of Gabriel and Bathsheba, and Bathsheba and Troy. This theme suggests that human lives play out amidst larger forces that they cannot control or predict.

Nature

Nature is a major theme in the novel, since the progress of the plot is closely tied to the passage of time, the change of seasons, and the rhythm of life on the farm. Cycles like the growing and harvesting of crops and the reproduction of the sheep structure the everyday lives of the characters and enable them to earn their livelihood. Gabriel's skill and success as a farmer stems from his ability to stay attuned to nature; other characters, like Troy, fail to appreciate nature and see it as something they can mostly ignore or exploit for profit.

Patience

Patience is shown as a virtue to be rewarded, even though it is not easy for characters to acquire. Gabriel takes a patient approach to his work, not being afraid of starting over and gradually progressing through his career. He also understands that doing farm tasks slowly and meticulously ensures they will be done well, and supports the success of the farm in the long run. He takes the same approach to his feelings for Bathsheba, remaining steadfastly loyal to her even though she sometimes takes him for granted and seems to have fallen in love with another man. Bathsheba does not naturally display as much patience since she likes to follow her impulses, but she gradually learns to appreciate a slower and more careful approach to life.

Work cite

The Bluest Eye by Toni Morrison


Toni Morrison

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                                   Chloe Anthony Wofford Morrison, known as Toni Morrison, was an American novelist, essayist, book editor, and college professor. Her first novel, The Bluest Eye, was published in 1970. The critically acclaimed Song of Solomon brought her national attention and won the National Book Critics Circle Award. Wikipedia

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                        The Bluest Eye, published in 1970, was the first novel written by author Toni Morrison. Morrison was an African-American novelist, a Pulitzer and Nobel Prize winner whose works are praised for addressing the harsh consequences of racism in the United States. Wikipedia



Summary

Pecola’s story is told through the eyes of multiple narrators. The main narrator is Claudia MacTeer, a childhood friend with whom Pecola once lived. Claudia narrates from two different perspectives: the adult Claudia, who reflects on the events of 1940–41, and the nine-year-old Claudia, who observes the events as they happen.

In the first section of the novel (“Autumn”), nine-year-old Claudia introduces Pecola and explains why she is living with the MacTeers. Claudia tells the reader what her mother, Mrs. MacTeer, told her: Pecola is a “case…a girl who had no place to go.” The Breedloves are currently “outdoors,” or homeless, because Pecola’s father, Cholly, burned the family house down. The county placed Pecola with the MacTeer family until “they could decide what to do, or, more precisely, until the [Breedlove] family was reunited.”

Despite the tragic circumstances of their friendship, Claudia and her 11-year-old sister, Frieda, enjoy playing with Pecola. Frieda and Pecola bond over their shared love of Shirley Temple, a famous American child star known for her blonde curls, babyish singing, and tap-dancing with Bill (“Bojangles”) Robinson. Claudia, however, “couldn’t join them in their adoration because [she] hated Shirley.” In fact, she hated “all the Shirley Temples of the world.” The adult Claudia recalls being given a blue-eyed baby doll for Christmas:


From the clucking sounds of adults I knew that the doll represented what they thought was my fondest wish...all the world had agreed that a blue-eyed, yellow-haired, pink-skinned doll was what every girl child treasured. “Here,” they said, “this is beautiful, and if you are on this day ‘worthy’ you may have it.”

Claudia remembers dismembering the doll “to see of what it was made, to discover the dearness, to find the beauty, the desirability that had escaped me, but apparently only me.” Finding nothing special at its core, Claudia discarded the doll and continued on her path of destruction, her hatred of little white girls unabated.



The second section (“Winter”) consists of two short vignettes. The first of these is narrated by Claudia, and in it she documents Pecola’s fascination with a light-skinned black girl by the name of Maureen Peal. Friendly at first, Maureen ultimately humiliates Pecola and her friends by declaring herself “cute” and Pecola “ugly.” The second vignette, narrated by a third-person omniscient narrator, focuses on Geraldine and Louis Junior, a young mother and son in Lorain, Ohio. Geraldine and Junior’s connection to Pecola is not immediately obvious; she does not appear until the end of the vignette. On a particularly boring afternoon, Junior entices Pecola into his house. After she comes inside, he throws his mother’s beloved cat at her face. Scratched and verging on tears, Pecola attempts to leave. Junior stops her, claiming she is his “prisoner.” Junior then picks up his mother’s cat and begins swinging it around his head. In an effort to save it, Pecola grabs his arm, causing them both to fall to the ground. The cat, released in mid-motion, is thrown full-force at the window. At this point Geraldine appears, and Junior promptly tells her that Pecola has killed the cat. Geraldine calls Pecola a “nasty little black bitch” and orders her to leave.

The third section of the novel (“Spring”) is by far the longest, comprising four vignettes. In the first vignette, Claudia and Frieda talk about how Mr. Henry—a guest staying with the MacTeers—“picked at” Frieda, inappropriately touching her while her parents were outside. After Frieda told her mother, her father “threw our old tricycle at [Mr. Henry’s] head and knocked him off the porch.” Frieda tells Claudia she fears she might be “ruined,” and they set off to find Pecola. In the second and third vignettes, the reader learns about Pecola’s parents, Pauline (Polly) and Cholly Breedlove. According to the omniscient narrator, Polly and Cholly once loved each other. They were married at a relatively young age and migrated together from Kentucky to Lorain. Over the years, their relationship steadily deteriorated. One disappointment followed another, and sustained poverty, ignorance, and fear took steep tolls on their well-being. At the end of the third vignette—just before the events of the first section begin—Cholly drunkenly stumbles into his kitchen, where he finds Pecola washing dishes. Overwhelmed by conflicting feelings of tenderness and rage, Cholly rapes Pecola and leaves her unconscious body on the floor for Polly to find.

The fourth vignette picks up not long after the rape. It begins by delving into the personal history of Soaphead Church, a misanthropic Anglophile and self-proclaimed spiritual healer. Soaphead is a deceptive and conniving man; as the narrator observes, he comes from a long line of similarly ambitious and corrupt West Indians. His latest scheme involves interpreting dreams and performing so-called “miracles” for the black community in Lorain. When Pecola goes to him asking for blue eyes, Soaphead initially sympathizes.



Soaphead forms a plan to trick Pecola. He gives her a piece of raw meat and demands that she give it to his property owner’s dog. If the dog “behaves strangely,” he tells her, her “wish will be granted on the day following this one.” Unbeknownst to Pecola, the meat is poisoned. After the dog eats the meat, gags, and dies, Pecola believes her wish has been granted. Thus begins her sharp descent into madness.


The fourth and final section (“Summer”) takes place after Pecola loses her mind. In the beginning, Claudia and Frieda learn that Pecola has been impregnated by her father. The sisters hope that the baby will not die; they pray for it and even offer a sacrifice (a bicycle) to God. Meanwhile, Pecola converses with an unidentified person—presumably, herself—about her new blue eyes, which she still thinks “aren’t blue enough.” In the final moments of the novel, the adult Claudia tells the reader that Pecola gave birth prematurely and the baby did not survive.


The Bluest Eye Themes

Appearances. In The Bluest Eye, characters associate beauty with whiteness. ...
Race. Whiteness in The Bluest Eye is associated with beauty, innocence, goodness, cleanliness, and purity. ...
Women and Femininity. ...
Jealousy. ...
Society and Class. ...
Love. ...
Sex. ...
Innocence.


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Quality by John Galsworthy




John Galsworthy
                                                    Image result for John Galsworthy




                          John Galsworthy OM was an English novelist and playwright. Notable works include The Forsyte Saga and its sequels, A Modern Comedy and End of the Chapter. He won the Nobel Prize in Literature in 1932. Wikipedia

Plot Summary


The story starts with the description of the boot shop; on top was the name plate ‘Gessler Brothers’ and a few shoes displayed on the window. They make shoes on order. The narrator then narrates one of his meetings with Mr. Gessler. He says it has not been possible to go to him much because the shoes he made have lasted very long and are the best of their kind.

One day the narrator goes to their shop to get a pair of Russian-leather shoes. Mr. Gessler retreats upstairs and comes back after some time holding a fine golden Russian leather piece. After the narrator’s approval he says he’ll get his shoes tomorrow fortnighSoon after, the narrator leaves for abroad and returns after over a year. The first shop he goes to is Mr. Gessler’s. Mr. Gessler, now seventy-five, is unable to recognize him at first. Narrator gives a huge order. The wait is longer than ever bThe young man explains to him that Gessler died from starvation; he used to devote himself to shoe making so much that he used to forget about everything else. All the money went in the rents and leather. The fate was quite obvious from the beginning. But both the narrator and the young man agrees that the Gessler brothers made good quality boots.ut the quality only gets better.

After a week, while passing the little street, the narrator thinks to go in and tell Mr. Gessler that the boots are perfect. But when he goes to the place where the shop was, the name plate is no longer there.

Disturbed, he goes into the shop and a young English face greets him. The narrator enquires about Mr. Gessler and comes to know of younger Gessler’s death. Upon hearing this the narrator is quite shocked.

One day the narrator goes to their boot shop and tells him that the last shoes he got from him creak. After a long pause Mr. Gessler asks him to bring the shoes to him. He assures that if he can’t repair them, he will give the money back.

Another day he goes to Gessler Brothers to order a new pair, wearing a pair of shoes which he bought due to some emergency from a big firm. Mr. Gessler at once recognizes that the shoes are not made by him. He touches a particular spot on the narrator’s shoe where it isn’t comfortable for the narrator and says that it hurts there. He expresses his contempt that those large firms attract customers through shiny impressive advertisements to sell their inferior quality products. Then the author explains to him under what circumstances he had to buy those shoes.

The new shoes lasted nearly two years. And in his next visit he receives quite a shock. When he enters the shop, he sees the younger Gessler brother who informs him of elder Gessler’s death. That day he orders several pairs. It takes longer to make them but the quality is even better than the previous ones.


Quality by John Galsworthy Theme of the story

The story highlights the virtues of hard work, honesty, resolution, compassion, humility and commitment. The theme of loss and death is also woven into the story with both Mr Gessler and his brother died in the story.


A Cup of Tea by Katherine Mansfield





Katherine Mansfield

                                                            Image result for Katherine Mansfield

                               Kathleen Mansfield Murry was a prominent New Zealand modernist short story writer and poet who was born and brought up in colonial New Zealand and wrote under the pen name of Katherine Mansfield. Wikipedia

"A Cup of Tea" is a 1922 short story by Katherine Mansfield. It was first published in the Story-Teller in May 1922. It later appeared in The Doves' Nest and Other Stories. Wikipedia


Summary of the Story

A Cup of Tea is set in 1920s London. Rosemary Fell, the protagonist, is wealthy young matron. We meet her while she is on a shopping trip in town. In an antique shop, she examines an expensive jewelry box that she would love to own. Yet, after inquiring about the price, she decides against the purchase - at least for that day.

Without the longed-for purchase, Rosemary returns to the street, where she is approached by a poor, raggedy looking young woman about her own age. The young woman asks for the price of a cup of tea and says she has no money, which Rosemary finds unimaginable.

Suddenly, inspired by the tales of Dostoevsky that she has recently read, Rosemary experiences a charitable inspiration and takes the girl home. Of course, the reader questions (as Mansfield intended) the true sincerity of Rosemary's impulse. We all believe in helping the less fortunate; however, this wealthy young woman seems more taken with her own fantasy of philanthropy than any real desire to help. At any rate, the young Miss Smith does go home with Rosemary and is given an abundant tea with all the trimmings.

While they're having tea, Mr. Fell (Phillip) comes into the bedroom and finds this unexpected guest. He takes Rosemary into another room, where he first expresses disapproval of what his wife has done and then speaks appreciatively about their poor visitor's beauty.

Once back with her charitable case, Rosemary now feels odd and without direction. What should she do? Ultimately, she gives Miss Smith some cash and sends her on her way. Anxious about her own appearance, Rosemary takes great care in dressing for dinner and seeks reassurance of her charms from Phillip.

A Cup of Tea Themes:

The main theme of the story is class distinction and materialism. This story pictures the differential behaviour of the upper class towards the lower class through the character of Rosemary. Her attitude and behavior gives quite a clear image of the mentality possessed by discriminating elites. Materialism is rigidly followed by the upper class. The more they have, the more they want and they don’t want anything ordinary, they want the best of all, the extraordinary, unaffordable by the commons. Their want for more never dies. The velvet box in the story symbolizes materialism while the cup of tea symbolizes the equal needs and requirements of the rich and the poor.
A Cup of Tea Characters:

This story is comprised of these few prominent characters.
ROSEMARY FELL:

A socially poised, rich married woman with a devoted and loving husband, who has a great lifestyle. She is well-dressed and well off with all the luxuries she desires for. Her interest is mainly of reading books, always indulged and above all greatly inspired by the characters and their adventurous lives which she comes across in the stories. Her inspirational interest can be judged from the decision she takes when she interacts with a poor soul called Miss Smith by taking her home with a mere thought of it being an adventure for her recalling the stories of Dostoevsky. Apart from this possession and insecurity can be sensed in her character.

PHILIPS FELL:

Husband of Rosemary, is in fact one of the richest persons of his society. He loves his wife devotedly and cares for her a lot. He calls Miss Smith pretty much to his wife’s chagrin, just to make her send Miss Smith away as she refuses to do so when he asks her in the first place even though making his wife feel insecure about herself and her beauty.
MISS SMITH:

She is a lean and thin poor girl of just the age of Rosemary. She can’t even afford a single cup of tea and comes to ask Rosemary to pay her the price of a cup of tea. She is an odd person, frightened and confused. She is shocked when Rosemary asks her to have a cup of tea with her at her home. In Mr. Philips’ point of view Miss Smith is very attractive and pretty.
THE SHOPKEEPER:

The owner of a very beautiful antique ornaments shop which in fact was one of Rosemary’s favorite shops. He would always be looking forward to have Rosemary at his shop and always saving a lovely piece of art for her only just like he had been saving the eye catching blue velvet box.

Wednesday, February 5, 2020

The Postmaster by Rabindranath Tagore


Rabindranath Tagore

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                             Rabindranath Tagore FRAS, also known by his pen name Bhanu Singha Thakur, and also known by his sobriquets Gurudev, Kabiguru, and Biswakabi, was a polymath, poet, musician, and artist from the Indian subcontinent. Wikipedia



Rabindranath Tagore: Short Stories Summary and Analysis of "The Postmaster"

Summary

For his first job, the Postmaster is assigned to work in the village of Ulapur, a quiet backwater with an indigo factory. He feels sorely out of place in the village, feeling both too sophisticated as a Calcutta man amongst uneducated villagers, and needlessly arrogant to the very people who he might turn to, hoping for friendship.

For lack of anything better to do, the Postmaster takes to writing poetry about his scenic surroundings, pontificating on rain-soaked leaves and the like as a way to express his deepest sorrows. Since he doesn’t make much money, the Postmaster cooks for himself and enlists a young orphan girl named Ratan to help him with housework in exchange for some food.



One night while Ratan is preparing his hookah, the Postmaster asks her to describe her family. This begins a relationship where the two share intimate details about their families, with the Postmaster divulging how much he misses his mother and sister back in Calcutta. The rapport develops to such an extent that Ratan starts to consider the Postmaster’s family her own.

One day while watching a bird in a tree, the Postmaster is taken by a desperate need for female companionship, for someone who he could share this sighting of a bird with. He calls Ratan into his office and informs her that he’s going to teach her how to read. These lessons continue until the Postmaster falls ill and he grows unable and unwilling to continue. Ratan, regardless, practices what he has taught her. Fed up with the village and his illness, the Postmaster applies for a transfer and is denied.

Nonetheless, he quits the job to return home, and tells Ratan as much. Ratan begs him to take her with him, but he smugly tells her that’s impossible. He promises her that the next Postmaster will take care of her, but that does nothing to comfort her. Upon leaving, he tries to give Ratan money, but she refuses.

As the Postmaster is leaving, he is struck by a feeling that he should go back and take Ratan, but concludes that life is full of separations and endings, so what’s the point? Ratan doesn’t have the same view though, and holds out, in anguish, for the possibility that the Postmaster will return to take her to Calcutta.



Analysis

“The Postmaster” is one of Tagore’s bleaker stories, spun around two immensely lonely characters whose only chance to end their loneliness is squandered. While as readers we may yearn for the happy ending where the Postmaster returns to the village to whisk Ratan away, Tagore instead uses these characters to lay out a parable about interpersonal relationships in developing modernity under British imperial rule of India.

Key here is the fact that the Postmaster is sent to the village of Ulapur as a colonial agent of the British, so that this little industry town can have a functioning post office. The Postmaster is, in turn, an agent of the British economic and colonial projects in India. Naturally they would select an educated man, but the price of the Postmaster putting that education to good use is finding working conditions that alienate him. Such alienation was a common condition of people involved with industry in the late 1800s (the time this story was written), and was a trope explored by writers ranging from Charles Dickens to Karl Marx.

At the end of the story, we get a contrast between the educated Postmaster’s “philosophy” and Ratan’s uneducated naivete. These are cast as equal burdens, with the Postmaster’s flippant decision to leave Ratan behind because life is full of separations and deaths portrayed as comparably tragic to Ratan’s delusional hope that Ratan might one day return to the village for her. It’s a mysterious little parable that doesn’t have a clear moral, but rather offers a meditation on a fundamental human tragedy that undergirds both loneliness and desire.

La Belle Dame sans Merci Poem by John Keats

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"La Belle Dame sans Merci" is a ballad produced by the English poet John Keats in 1819. The title was derived from the title of a 15th-century poem by Alain Chartier called La Belle Dame sans Mercy. Considered an English classic, the poem is an example of Keats' poetic preoccupation with love and death. Wikipedia


Analysis of La Belle Dame sans Merci


La Belle Dame sans Merci with its mysterious narrative and ethereal atmosphere, combines innocence and seduction in an unusual ballad form to produce a haunting story.

In one sense it's little more than man meets woman in the countryside, they have a fling and the man ends up dumped, by a lake. He doesn't know if he's been drugged or not but it certainly seems he has been intimate with this beautiful stranger.

It's up to the reader to fill in the details.

Perhaps this is why the poem is so successful in its portrayal of a relationship that came out of nowhere, progressed to a different dimension and had such a profound effect on the male, and probably the female too.

The reader is left hanging on, with a need to know more, thanks to the metrical pattern of the stanzas and the bizarre circumstances the man finds himself in.
And in certain sections of the poem there is the suggestion of a sexual liaison which is perhaps drug inspired. Notably, stanzas five and seven stand out, with mention of the man making garlands and bracelets and a fragrant girdle (Zone) whilst the woman made sweet moan. And later she finds sweet roots, honey wild and manna dew (manna is the food from heaven as stated in the Bible), most certainly the food of love.

Major themes of Things Fall Apart and character of Okonkow

Name:- Hetal Dabhi Sem:- 4 Paper:-14 (The African Literature) Assignment Character of Okonkow The protagonist of Thi...